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Preserving Memory: The Struggle to Create America's Holocaust Museum, by Edward T. Linenthal
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Since its first year in 1993, the United States Holocaust Memorial Museum has attracted more than 15 millino visitors, sometimes at the rate of 10,000 a day, each of whom has walked away with an indelible impression of awe in the face of the unimaginab
- Sales Rank: #419681 in Books
- Color: Black
- Published on: 2001-10-15
- Released on: 2001-11-05
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .82" w x 6.00" l, 1.10 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
Passages in this discussion of the selection of artifacts?children's shoes, leg braces, bundles of women's hair?to be exhibited in the United States Holocaust Memorial Museum in Washington are harrowing to read. At the same time, the bureaucratic infighting and political tugging on the President's Commission on the Holocaust and its successor, the United States Holocaust Memorial Council, tend to trivialize the raison d'etre of the museum: about what sort of building to erect that would be a "good neighbor" to others on the Mall, about whether to include articles that once belonged to Gypsies and homosexuals who were also victims, about commemorating other genocides like the slaughter of the Armenians in 1915. Ultimately, Linenthal's (Sacred Ground: Americans and Their Battlefields) carefully researched account seeks to answer the vexing question of the "place" of Holocaust memory in American culture. Illustrations not seen by PW.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
Linenthal (religion and American culture, Univ. of Wisconsin, Oshkosh) describes the 15-year effort to create a national museum commemorating the Holocaust. He begins with the creation in May 1978 of the President's Commission on the Holocaust during the Carter administration. He then covers issues related to the location, design, and construction of the museum building. Linenthal's most significant contribution is the chapter on defining and representing the horror of the Holocaust. He skillfully describes the dilemmas facing the organizers of the exhibits, such as how to depict the story of mass murder and yet personalize it, how to represent the Nazis and other perpetrators of the Holocaust in the exhibit, and whether non-Jewish victims should be included. Linenthal tells the story of defining and representing America's memory of the Holocaust with sensitivity and thoroughness. For all collections.?Mark Weber, Kent State Univ. Lib., Ohio
Copyright 1995 Reed Business Information, Inc.
From Booklist
President Carter created the President's Commission on the Holocaust in 1978. It then took 15 years of bitter and emotional debate to design and build the U.S. Holocaust Memorial Museum in Washington, D.C. Linenthal, author of Sacred Grounds: Americans and Their Battlefields (1991), chronicles all that went on during those painful and acrimonious years as Holocaust survivors, politicians, museum professionals, historians, and architects struggled to define "the boundaries of Holocaust memory." Linenthal deftly summarizes all the complex issues that had to be resolved. Jews believed that they should be the focus, but members of other groups victimized by the Holocaust demanded equal representation. Some felt the memorial should be in New York; others fretted over whether Washington, D.C., was an appropriate location. And what an agonizing task it was to create a memorial that both eulogized and educated without simplifying, sensationalizing, or offending. Linenthal portrays major players, including Elie Wiesel, Yaffa Eliach, and architect James Ingo Freed, who was finally able to visualize a building "expressive of the event" after traveling to Auschwitz. A sobering, yet fascinating, testament to the value of preserving memories with respect and creativity. Donna Seaman
Most helpful customer reviews
3 of 6 people found the following review helpful.
An Interesting Read
By wutanglen
A Highly informative and yet very readable account of the building of the Holocaust Museum in Washington DC and the politics behind it. This is one of those books that by the end you have learned alot.
2 of 3 people found the following review helpful.
Preserving Memory: The Making of the United States Holocaust Memorial: Purchased at Amazon.com
By dep
Preserving Memory is the story of how the United States Holocaust Museum was made. After reading this book, I'm rather amazed the museum was made at all. On November 1, 1978, President Carter issued Executive Order 12093, creating the President's Commission on the Holocaust. Twelve commissioners were sworn in on February 1, 1979. Thus began the road to the Making of the United States Holocaust Museum. Some of the Commissioners were survivors of the Holocaust. With their background, some of them wanted to be very sure of what they were doing. There were many battles over almost everything to do with the museum. To further complicate things, in dealing with the White House, some things became almost political battles. The museum began to be built in the late 1980's, and was opened in April 1993. This is a great book, but it requires a lot of perseverance to read it. Some of the story tends to bog down, which is why I gave it four stars. Still, if you love history and can stick with it this is a book worth reading. A well written book that explains much about the memory of the Holocaust.
1 of 2 people found the following review helpful.
Excellent book about fascinating topic.
By David L. Kupfer
This book may appeal to a small audience, but it tells a great story. It describes the lengthy but worthwhile struggle of a group of people doing what seemed impossible at first: building a museum that was in Washington and the present , but about events that took place in Europe in the past. And finding a way to make it relevant and moving to all those seeking inspiration for how to live morally in their world. The writer finds a way to make the struggles come alive, as the Holocaust Commission found a way to create a museum that was Jewish but of value to all visitors, a story of horror that could be at home next to the grassy Mall and marble elegance of Washington DC. It made me want to examine and re-examine every square inch of the museum now that I understood how much love and work had gone into it.
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