Rabu, 17 Februari 2010

[S646.Ebook] Download PDF Physiology: Volume IV (Natural History of Crustacea)From Oxford University Press

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The Crustacea is one of the dominant invertebrate groups, displaying staggering diversity in form and function, and spanning the full spectrum of Earth's environments. Crustaceans are increasingly used as model organisms in all fields of biology, as few other taxa exhibit such a variety of body shapes and adaptations to particular habitats and environmental conditions. Physiology is the fourth volume in The Natural History of the Crustacea series, and the first book in over twenty-five years to provide an overview of the comparative physiology of crustaceans. An understanding of physiology is crucial to a comprehension of the biology of this fascinating invertebrate group. Written by a group of internationally recognized experts studying a wide range of crustacean taxa and topics, this volume synthesizes current research in a format that is accessible to a wide scientific audience.

  • Sales Rank: #3449359 in Books
  • Published on: 2015-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.20" h x 1.20" w x 10.10" l, .0 pounds
  • Binding: Hardcover
  • 528 pages

Review

"This series forms a reference work in the truest sense, one that will be referred to frequently for many years to come. The whole series would be an excellent addition to a reference library; these individual volumes are essential for anyone involved in research on the neurobiology or physiology of crustaceans, or indeed, other invertebrates." --Adrian J. Wolstenholme, Invertebrate Neuroscience


About the Author

Ernest S. Chang is a Professor at the Bodega Marine Laboratory at the University of California, Davis. Martin Thiel is Professor of Marine Biology at Universidad Catolica del Norte, Coquimbo, Chile.

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Sabtu, 06 Februari 2010

[K769.Ebook] Download Peer Gynt : A Dramatic Poem, by Henrik Ibsen, Peter Watts

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Peer Gynt : A Dramatic Poem, by Henrik Ibsen, Peter Watts

This high-spirited poetical fantasy, based on Norwegian folklore, is the story of an irresponsible, lovable hero. After its publication, Ibsen abandoned the verse form for more realistic prose plays.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #299437 in Books
  • Published on: 1966-04-30
  • Released on: 1966-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.78" h x .53" w x 5.09" l, .44 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Henrik Ibsen was born at Skien in Norway in 1828. He was one of the earliest writers to dramatise the individual's alienation from society. Although never fully appreciated during his lifetime, he has since come to be recognised as one of the greatest dramatists and the 'Father of Modern Drama'.

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7 of 9 people found the following review helpful.
Difficult. Surreal.
By Amazon Customer
Peer Gynt is a sort of folk tale character who we see go from being a young man to an old man and who gets in several different adventures. The play doesn't have much of a plot exactly. It starts of in a Norwegian village where Peer is a buffoonish character. He leaves the village, meets up with Trolls, gets in a shipwreck, wanders around the desert, and runs into the button moulder. All of this just happens, disconnectedly. He spends time in America also, but we aren't shown that.

There is a lot of talk about being your self, being authentic, etc. If the play has a theme, I am guessing that's it.

It's completely different from Ibsen's realistic works like An Enemy of the People or The Wild Duck. I'm more a fan of those works. Peer Gynt didn't really speak to me.

On a side note, in the movie Educating Rita, with Michael Caine, Rita takes a test where one of the questions was 'What are some of the difficulties in staging Peer Gynt?' A: It's long. It's not in prose. It has trolls and other fantastical creatures. It has a huge cast many of whom are only on stage very briefly. The main character goes from being a youth to a very old man. The settings vary from a Norwegian village to Egypt and the Sphinx. This is why it's rarely done on stage.

42 of 44 people found the following review helpful.
the emptiness of prodigality.
By Cipriano
Often funny. Often bizarre. Always deep. Peer Gynt first appears to me as this self-centered youth who cares only for himself and the satisfaction of his impulses and whims at any cost. He is the quick non-thinker, who leaves a life of relative conventionality to roam as a dissolute wanderer. He is indeed all of these things, but all the while his "self" is not "centered". At the end of his adventures as a libertine, the grey-bearded Peer Gynt is at a cross-roads, and he asks the character of the Button Moulder this question: "What, after all, is this being one's self?" The Button Moulder replies that being one's self means slaying one's Self, and furthermore "observing the Master's intentions in all things." Peer Gynt contemplates this... restraint and delayed gratification have never been manageable themes with him. In my opinion, this whole idea of the search for the "self" is what Peer Gynt is all about. At the very final crossroads he is redeemed by the undeserved forgiveness and love of Solvieg, the woman he has once abandoned... this scene being a beautiful picture of the grace and love of God that is available to the Peer Gynt in every reader.
Ibsen originally wrote Peer Gynt as a poem, and therefore we lose the Norwegian rhyme and metre in any English translation. To compensate if at all possible, I suggest reading the play while listening to the incidental music of Edvard Grieg, specifically composed to accompany the live performance of Peer Gynt. (Note: My review is based on the translation by Peter Watts).

8 of 9 people found the following review helpful.
The Charm of a Trickster...
By Flippy
Peer Gynt is a piece of literature that, like Goethe's Faust Part II plays best on the stage of the imagination. It is too lengthy and costly to be performed on stage. Sometimes the first three acts are performed together, sometimes the last two acts are brought together to become a whole for a theatre production.

In terms of reading, this is a great fable piece. Peer is the Trickster with the mirror to his conscience. As a youth, he is Troll-like in his lusts, in his carousing. In his middle-age, he is Troll-like in his financial enterprises. At the end of his life, he is a folorn man, having given up possible true love to run around in search of his self. He is a fraud but we feel sympathy for him. He pursues life in search of distractions and power but ends up empty at the end, soon to be the vicim of the Button Moulder, soon to be nothing more than a button.

This work has many levels and open to numerous interpretations. Ideally, this is the book you read for a book club. There is nothing conventional about it. The conversations will be endless and the philosophy inspired, well, might be inspiring.

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Rabu, 03 Februari 2010

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Blumenfeld's Alpha-Phonics: Workbook: A Primer for Beginning Readers

  • Sales Rank: #2967655 in Books
  • Published on: 2005
  • Binding: Spiral-bound

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Sabtu, 30 Januari 2010

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The Australian Medico-Legal Handbook will be provided with PDA software and aims to give JMOs immediate, clear and concise answers to the most frequently asked legal questions arising during hospital training. Doctors carry very little when they are in the ward but are increasingly carrying PDAs, making the accompanying software an ideal content delivery method.

  • The handbook and accompanying PDA software is the only one of its kind offered to Australian JMOs.
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  • Sales Rank: #3772200 in Books
  • Published on: 2007-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 5.00" w x 1.00" l,
  • Binding: Paperback
  • 150 pages

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Jumat, 22 Januari 2010

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Emiliano Zapata!: Revolution and Betrayal in Mexico, by Samuel Brunk

The life of Mexican Revolutionary Emiliano Zapata was the stuff that legends are made of. Born and raised in a tiny village in the small south-central state of Morelos, he led an uprising in 1911--one strand of the larger Mexican Revolution--against the regime of long-time president Porfirio Díaz. He fought not to fulfill personal ambitions, but for the campesinos of Morelos, whose rights were being systematically ignored in Don Porfirio's courts.

Expanding haciendas had been appropriating land and water for centuries in the state, but as the twentieth century began things were becoming desperate. It was not long before Díaz fell. But Zapata then discovered that other national leaders--Francisco Madero, Victoriano Huerta, and Venustiano Carranza--would not put things right, and so he fought them too. He fought for nearly a decade until, in 1919, he was gunned down in an ambush at the hacienda Chinameca.

In this new political biography of Zapata, Brunk, noted journalist and scholar, shows us Zapata the leader as opposed to Zapata the archetypal peasant revolutionary. In previous writings on Zapata, the movement is covered and Zapata the man gets lost in the shuffle. Brunk clearly demonstrates that Zapata's choices and actions did indeed have an historical impact.

  • Sales Rank: #668293 in Books
  • Brand: Brand: University of New Mexico Press
  • Published on: 1995-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.93" h x 1.09" w x 6.01" l, 1.23 pounds
  • Binding: Paperback
  • 376 pages
Features
  • Used Book in Good Condition

From Library Journal
In this scholarly study of Zapata, journalist and scholar Brunk emphasizes aspects of personal leadership over the revolutionary movement as a whole. Brunk portrays a man whose legendary status has helped obscure the facts. From the formative years until his death by ambush in 1919, Zapata is depicted as a man unwaveringly committed to basic land reform and social justice for the peasants of his native state of Morelos. Zapata is not, however, idealized: his inability (or refusal) to control the brutal excesses of subordinate chieftains often resulted in bad press at home and abroad, much to the detriment of his credibility. Likewise, coalitions formed with other major revolutionary leaders (notably Pancho Villa)? essential to any hope of success?were always tenuous and fraught with potential treachery, given the vast array of personal and ideological elements in play. A well-documented, readable work; recommended for serious students of the topic.?Charles E. Perry, East Central Univ., Ada, Okla.
Copyright 1995 Reed Business Information, Inc.

Review
." . . skillfully written, well researched, and provides many new and valuable insights into Zapata . . ."

. . . an excellent book. . . . Brunk has produced an essential work on Emiliano Zapata.

. . . skillfully written, well researched, and provides many new and valuable insights into Zapata . . .

Samuel Brunk is to be applauded . . . Ýhis¨ style and scholarship are unimpeachable, confirming . . . a solid, well-researched, narrative history . . .

. . . the most realistic analysis of Zapata and his movement . . . straightforward, thoughtful . . . Brunks very readable book is the most accurate study on Zapata now existing.

"The author examines both Zapata and the movement in great detail; neither gets lost in the narrative. Perfect for the history buff or someone simply interested in learning more about Zapata."

Samuel Brunk is to be applauded . . . [his] style and scholarship are unimpeachable, confirming . . . a solid, well-researched, narrative history . . .

From the Inside Flap
This clearly written and carefully argued narrative presents a less mythical and more human Zapata against the dramatic and chaotic background of the Mexican Revolution.

Most helpful customer reviews

4 of 5 people found the following review helpful.
A Great Political Life, Despite Some Criticism
By Dennis R. Hidalgo
The book centers on how the personal life of Emiliano Zapata intermingled with his revolutionary movement during the high point of the Mexican Revolution: 1910-1919. The events and historical period the book covers are hardly new to scholarly review. In his book Brunk is standing on ground elevated by previous work- particularly by John Womack's Zapata and the Mexican Revolution. Still, from this advantageous position Brunk decided to focus his attention on the personal details of Zapata and give us a fresh political biography.
This book sadly misses the opportunity to examine the cultural dimension of Zapata's life and achievements. Starting with his beginning, Brunk totally ignores the religious attribute intrinsic in the culture of south/central Mexico - which he later admits it had. Indeed, he only mentions the word church when referring to how a village offered a strategic position from the tower of the church. When referring to the machismo culture and Zapata's relationships with females, he could have linked gender issues to Zapata's revolution. When he touched on the regionalist tendencies of Zapatismo, he could have compared one region against the other in greater details as to illuminate why regionalism was such a strong force. There were several questions that their answers could have enriched his research. How did religion influence the motivation of Zapatistas? What was the reaction of local priest and other members of the clergy, to Zapata's actions, and what type of relationship they had? What role did women play in Zapata's movement? How did the fatalism of machismo influence the outcome of the events? If the Guerreros were not as motivated for land reform as the Morelos were, what other motivations led them to follow Zapata? What role did Indians had within or against Zapatismo?
Brunk seems too concern at portraying Zapata as a benign leader, and worthy of idolization. While describing his childhood, he rarely criticizes the tradition as a source (with one important exemption), but it tends to place it at the center of the description. The book also has an inclination to smooth out Zapata's rough characteristics. Indeed, when there is someone to falter, there are always many candidates that are not Zapata. And when there is no way that Zapata can escape guilt, masterfully, Brunk explains out the reasons in a way that everything seems inevitable and the reader may sympathize with Zapata. The more obvious example, probably, is when a spirit of paranoia invaded the Zapata's camp, and he is not able to control it. At this moment Brunk chose to emphasize the doings of others, and when there was reference to Zapata's behavior, Brunk always did it with a compassionated tone and explaining that most convictions were done with lots of regrets. Furthermore, Zapata is presented as fair when he decided not to punish, and when he decided to punish, regardless that the cases were very similar and that the motivation for change appears to be related to mood swings more than any other factors. Undoubtedly, this book falls short of a complete description of the Mexican Revolution. This was not the intention of the book. However, the reader may gather the wrong impression of the Mexican Revolution by following the logic of the book. In many occasions the author clearly placed Zapatismo as the Revolution, and yet, in other parts he moved to explain how it was only a strand of a larger movement. This seemingly contradiction is not an isolated element. When Brunk tells about the differences on Villa and Zapata, and how that influenced the outcome of their relationship, he vacillates to use more unambiguous terms. To those fond of the scientific historical perspective and of empirical data, this book may prove a disappointment.
What this book does is to allow the reader to appreciate the Mexican Revolution, and more specifically, Zapatismo, from the personal life of Zapata. The emphasis on Zapata's life is more on his relationships to his subordinates and enemies, and this focus brings a totally new perspective into the matter. It seems that by getting close to Zapata's leadership Brunk gained an edge in understanding Zapata. By the constant use of the word "perhaps" one can assume that Brunk commonly relies on his intuition cultivated by years of personal acquaintance with the original sources leading to Zapata.
Through Brunk's style the reader may appreciate the influence of personalities and how power conflict influenced the Revolution and its southern strand: Zapatismo. Through this book the reader may appreciate how the unfolding of personal interaction determined the relationship between Zapata and his intellectuals. In explaining internal conflicts within Zapatismo, Brunk clearly understands how the rural people related to each other and how that differed from those coming from the city: in the country they looked in the eye, in the city they thought in terms of systems. (126) When returning to Morelos, Brunk describes a lively Zapata, full of energy as he makes his leadership, once again, dependent on his charisma and personality. Brunk also brilliantly explains how the concept of justice was more a personal matter to Zapata and how it evolved out of his relationship to others. And finally, Brunk takes the reader to Zapata's vacillation before going toward Jesus Guajardo; how he knew that he was gambling his live by doing so. This inside view into Zapata's political and military world could not be achieved without Brunk's emphasis on Zapata's personal relationships. At the end the reader may agree with Brunk in that brutality, pain, and personalism "formed an integral part of the Revolution, without which could not be understood." (238) There is no doubt that Brunk employed contemporary research and advanced analytical skills to study the political life of Zapata. Yet, he departs a little from the overly skeptic attitude of some current scholars who avoid personal worship and prefer a more depressing view of life. According to Brunk, then, the Revolution was indeed a revolution, and Zapatismo was a peasant's revolution with clear political and social significance.

9 of 11 people found the following review helpful.
Zapata The Demon?
By Salamis
Emiliano Zapata is a legendary and controversial figure in Mexican history. One of the many persons who have been intrigued by Zapata's mythical persona has been Samuel Brunk. Brunk first conducted his comprehensive research on Zapata while he was a graduate student at the University of New Mexico. Brunk's current research deals with certain aspects of Zapata not covered in this book, mainly with the accuracy of the cultural and political myth ascribed to Zapata since his death. Brunk currently teaches at the University of Texas at El Paso. His area of expertise is twentieth century Mexican history.
Brunk states that "the primary goal of the book is to provide a . . . political biography of Zapata, and to demonstrate . . . That his choices and actions . . . [had] a historical impact." Brunk portrays Zapata as a man with utopian ideals who is plagued by personal faults. He contends that Zapata, or more precisely, Zapatisimo had, and has had, an enduring effect on th Mexican conscience and psyche. His work, over a third of which is composed of notes and references, is well researched. Brunk utilizes oral interviews, anthropological data, and newspaper and archival documents (many of which had been recently released) to develop his thesis.
Although Brunk does a wonderful job in compiling information to narrate his thesis, there are a few aspects to the book that are disappointing. For instance, the back of the book and the introduction claim that Brunk's depicture of Zapatisimo humanizes the Zapatisimo legacy by recanting the brutality and banditry that surrounded the movement. This controversial depicture (controversial because most previous historians and scholars who have written on Zapata have minimized or left out claims of the movement's cruelty) that was promised, however, never genuinely materializes in the pages of the book. To be sure, Brunk does give attention to the banditry that occurred during the Zapata movement, however, Brunk downplays the criminal activity conducted by Zapatistas as isolated or justified occurrences. This is rather unfortunate, not because it overly influenced his work (this does not seem to be the case). But because the promotional description of the book does not accurately apply. A prospective consumer looking forward to reading book that demonizes Zapata might be led astray by the controversial advertisement. Brunk's book only mildly describes the Zapatistas as crooks and thugs. To be fair though, some reviewers seemed satisfied with Brunk's work in illuminating Zapata's unethical activities.
Going beyond what may be construed as a misleading description of the book, Brunk offers the reader a thorough account of the situation Zapata was facing during the 1910s. Overall, this is an enjoyable book, however, at times the book's readability is rough and course. Brunk's recreation of the constitutional convention is a clear example of this. It was dull, deliberate and repetitive. On the positive side, the remaining sections of the book, particularly his description on the early days of Zapatisimo, were well written. Perhaps the most pointed and painful critique, however, comes from experts in the field. John Womack, author of Zapata and the Mexican Revolution and Harvard professor, concluded that Brunk had missed "a chance for a major contribution to scholarship" in light of all the new material available to him.
Notwithstanding the rather disappointing aspects to the book, it is still a book worth reading. Brunk does an excellent job depicting the shifting coalitions between the various factions of the revolution. Indeed, it would not be far fetched to suggest that Brunk's depiction of the various coalitions immensely helps the reader understand the difficulties that confronted the US in its first war of the 21st Century.

3 of 5 people found the following review helpful.
Fast reading but a distanced perspective
By A Customer
You may need a glossary for this book if you're not familiar with such terms as ejido or hacendado. I highly reccomend doing some preparation reading on the mexican revolution before starting this book. Be advised, a third of this book is notes and references! The author does a good job of showing how Zapata remained committed to his cause while many around him were traitors. The author provides factual accounts with little embelishing or unsupported speculation. This book is a must-have for those who are interested in the real Zapata.

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Jumat, 15 Januari 2010

[W189.Ebook] Free Ebook Project Planning and Analysis for Development, by David Potts

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Project Planning and Analysis for Development, by David Potts

A text on project planning and analysis in developing countries, this book focuses on the economic and financial analysis of projects, but also demonstrates the importance of other factors to those who might otherwise give undue weight to economic and financial calculations. Potts examines the issues that arise before a project is appraised, covering project identification, design, and assumptions regarding likely outcomes in the absence of the project. He also tackles the difficult practical problems that arise for project planners, among them inflation, changes in relative prices, and exchange rate fluctuations. Throughout, he is aware of the fact that appraisal methodology needs to be adapted to the scale of a particular project.

  • Sales Rank: #8233073 in Books
  • Brand: Brand: Lynne Rienner Pub
  • Published on: 2002-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 350 pages
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  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
second hand in perfect conditions
By Elysha Wells
the item was in perfect conditons despite being second hand, i am very happy with my purchase

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Kamis, 14 Januari 2010

[V475.Ebook] PDF Ebook Mandolin Chord Melody System, by Aaron Weinstein

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Mandolin Chord Melody System, by Aaron Weinstein

If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg

  • Sales Rank: #840235 in Books
  • Published on: 2015-10-19
  • Original language: English
  • Dimensions: 11.00" h x .12" w x 8.50" l,
  • Binding: Paperback
  • 52 pages

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2 of 2 people found the following review helpful.
pretty much the entire advice Jethro Burns gives on chord ...
By Phil
This is a significant book for those wanting to know more about chord melody mandolin. In Mel Bay's Complete Jethro Burns Mandolin Book, pretty much the entire advice Jethro Burns gives on chord melody is to just put the melody note on the higher strings. In this book, Aaron Weinstein goes into much more depth about chord theory on the mandolin. Not for beginners and, to get the most out of this book, you need to know how to read treble clef music notation. The Etude section includes some pretty examples using multiple chord augmentations -- a nice change from using public domain songs as Mel Bay tends to do.

0 of 0 people found the following review helpful.
Do not buy the Kindle version!!!
By John Flynn
This may be a great book, I can't tell. I bought the Kindle version and it is useless. It will only download to a Kindle, not on the Kindle reader apps. I have reader apps on multiple devices, but it says they are "unsupported," even though I deliver books to them all the time. I can read it on the Cloud Reader, but the page size is so small, it could only be read with a magnifying glass. The font size function does not work on it. I have the latest version of the Kindle Reader, BTW. I immediately returned it and ordered the paper version.

0 of 0 people found the following review helpful.
It makes the mandolin sound like the true melody instrument it is
By mike rath
Finally, a reason to learn the chords I should have been learning all along! It makes the mandolin sound like the true melody instrument it is. Some of the chords start out almost impossible to play, but with time the fingers find their place and the tone rings out. This book will be a focus of my practice work for quite some time. That you, Aaron!

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